Nice look at the dirt and FX pass working together.
Safari Jeep from Madagascar 2
A look at the translucent quality of the fabric thanks to a particle pass.
Safari Jeep from Madagascar 2
This was a complex model with array of different materials. It had raw metal, painted metal, rubber, glass, plastic, mud, and translucent fabric. While the silhouette and color are very stylized, the material behaviors like fresnel and reflectivity all need to behave realistically.
I surfaced all the abandoned Jeeps
Another angle of the Jeeps I surfaced.
A closer look at one of the Jeeps I did.
I aslo did the CB and map.
Another close view of a Jeep I did.
I needed to transfer all surfacing on one model to the 'stunt' version of the jeep that gets cut in half by a penguin. Then create the molten FX material as seen in the next image.
Cool FX shot with one of my Jeeps.
I surfaced the gas tank 'basket'.
I surfaced Dubois' scooter.
I surfaced the Vespa scooters.
I surfaced the Ducati motorcycle.
I aslo did the store, but thats another story.
Shrek the Halls book interior.
Another look at the Ducati I surfaced.
Shrek the Halls book interior.
Shrek the Halls book interior.
Close up of Dubois' dart gun I surfaced.
Shrek the Halls book interior.
I surfaced the Royal Carriage in Shrek 4.
Shrek the Halls book interior.
I surfaced this book for Shrek the Halls.
It was an interesting challenge because the model was an actual 200 page book. This required a lot of coordination between animation, layout and surfacing in order make sure the story points and action matched the surfacing.
I surface the Turkey float in Shrek the Halls.
Another view of the Carriage I surfaced.
Shrek the Halls book interior.
I created the spot light in Shrek 3.
This asset was a challenge because the lighter needed the perfect amount of dust and transparency to sell the look of the glass. The refraction effect was designed by me in surfacing, then tweaked by lighting.
